{"title":"Wood Assemblages","description":"","products":[{"product_id":"sea-forest-wood-assemblage","title":"Original Wood Assemblage - 'Sea Forest'","description":"\u003cp\u003eLaird Campbell is a Sunshine Coast–based artist. Working from his studio, he builds abstract compositions from reclaimed and found wood — selecting each piece for its grain, its age, the particular way it has been shaped by time and use. His process is intuitive and patient, guided by a belief that the wood itself has something to say, and that the artist’s job is to listen carefully enough to let it.\u003c\/p\u003e\n\u003cp\u003eThe sea forest is a world unto itself — the kelp beds and tidal zones of the BC coast, where the boundary between land and water dissolves into something stranger and more alive. \u003cem\u003e'Sea Forest'\u003c\/em\u003e holds that quality of submersion: the warm red tones of the wood’s reverse visible through the composition, the layered geometry suggesting depth and movement, the whole thing feeling at once rooted and adrift. It is a work that carries the smell of salt air and the particular silence of the coast.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, displayed with a thin wood frame. Close-up photography reveals the extraordinary grain and texture of the wood; the reverse, with its warm red tones, is also displayed as part of the work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 36.5 × 37.5 cm (14.5 × 15\")\u003cbr\u003e\u003cstrong\u003eFraming:\u003c\/strong\u003e Thin wood frame; front and reverse both displayed\u003cbr\u003e\u003cstrong\u003eExhibition:\u003c\/strong\u003e Federation of Canadian Artists Gallery, 2024 On the Edge Exhibition; Cowichan Valley Arts Council, 2025 Group Exhibition\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":41945945997375,"sku":null,"price":2200.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/Sea_Forest_-_Original_Wood_Assemblage.jpg?v=1755028739"},{"product_id":"original-wood-assemblage-chronos","title":"Original Wood Assemblage - 'Chronos'","description":"\u003cp\u003eLaird Campbell works from his studio \u003cmeta charset=\"utf-8\"\u003ein the \u003cmeta charset=\"utf-8\"\u003eCowichan Valley on the east coast of Vancouver Island, building abstract compositions from reclaimed and found wood. His practice is one of sustained attention — to the material, to the process, to the slow accumulation of meaning that happens when you work with your hands over time. He is drawn to aged wood for what it carries: the marks of use, the memory of other lives, the way time writes itself into grain and surface.\u003c\/p\u003e\n\u003cp\u003eChronos is the Greek god of time — not the dramatic, mythological Kronos, but the quieter, more philosophical figure: time as the medium through which all things pass and are changed. \u003cem\u003e'Chronos'\u003c\/em\u003e holds that quality. The vertical format of the work suggests a column, a measure, something that marks duration. The antique wood frame — itself a piece of time — becomes part of the work’s meaning, a container that is also a subject. This is a piece about what endures, and what doesn’t.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, set within a 1-inch mat and an antique wood frame. Close-up photography reveals the extraordinary grain and texture of the wood; the reverse of the framed artwork is also displayed.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eArtwork dimensions:\u003c\/strong\u003e 7.5 × 15\"\u003cbr\u003e\u003cstrong\u003eFraming:\u003c\/strong\u003e 1\" wide mat; antique wood frame — finished size 12.5 × 20.5\"\u003cbr\u003e\u003cstrong\u003eDisplay:\u003c\/strong\u003e Front and reverse both displayed\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":41973561294911,"sku":null,"price":900.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/OriginalWoodAssemblage-Framed-_Chronos.png?v=1755818124"},{"product_id":"original-wood-assemblage-after-math-i","title":"Original Wood Assemblage - 'After Math I')","description":"\u003cp\u003eLaird Campbell works from his studio \u003cmeta charset=\"utf-8\"\u003ein the \u003cmeta charset=\"utf-8\"\u003eCowichan Valley on the east coast of Vancouver Island, building abstract compositions from reclaimed and found wood. His practice is rooted in a sustained engagement with materials — with the way aged wood holds time, with the geometry that emerges when fragments are placed in relation to one another, with the tension between accident and intention that runs through every piece he makes.\u003c\/p\u003e\n\u003cp\u003eThe title plays on two meanings at once: the aftermath of something — what remains when an event has passed — and the mathematics of it, the counting and reckoning that follows. \u003cem\u003e'After Math I'\u003c\/em\u003e is a work about consequence and calculation, about the way we try to make sense of what has happened by arranging its pieces. The square format gives the composition a kind of completeness, a sense that the accounting is done, the tally made. It is a work that rewards sitting with, that reveals more the longer you look.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, each selected for its grain, age, and surface quality. It is the first in a two-part series — \u003cem\u003e'After Math I'\u003c\/em\u003e and \u003cem\u003e'After Math II'\u003c\/em\u003e — which may be collected separately or together.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 11 × 11.5\"\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Part one of two (\u003cem\u003e'After Math I'\u003c\/em\u003e and \u003cem\u003e'After Math II'\u003c\/em\u003e)\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":41986813460543,"sku":null,"price":800.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/AfterMathI_11x11.5.jpg?v=1756406228"},{"product_id":"original-wood-assemblage-after-math-ii","title":"Original Wood Assemblage - 'After Math II'","description":"\u003cp\u003eLaird Campbell works from his studio \u003cmeta charset=\"utf-8\"\u003ein the \u003cmeta charset=\"utf-8\"\u003eCowichan Valley on the east coast of Vancouver Island, building abstract compositions from reclaimed and found wood. His practice is rooted in a sustained engagement with materials — with the way aged wood holds time, with the geometry that emerges when fragments are placed in relation to one another, with the tension between accident and intention that runs through every piece he makes.\u003c\/p\u003e\n\u003cp\u003eWhere \u003cem\u003e'After Math I'\u003c\/em\u003e opens the inquiry, \u003cem\u003e'After Math II'\u003c\/em\u003e deepens it — a second reckoning, a further working-through of the same questions. The two works were made as a series and are best understood in dialogue with each other: two approaches to the same aftermath, two ways of counting what remains. The slightly different dimensions of this second piece give it its own character, its own particular weight and balance. 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He builds his assemblages piece by piece from reclaimed and found wood, each fragment chosen for what it carries: the marks of age, the memory of use, the particular way light moves across a weathered surface. His aspiration is to work with wood as freely as a pencil — to scribble and doodle until something worth keeping emerges.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Working'\u003c\/em\u003e is a title that holds its own quiet irony. It names the act — the ongoing, never-quite-finished labour of making — and it names the result: a work that works, that holds together, that does what art is supposed to do. There is something honest and unguarded about this piece, a sense of the studio still present in it, the hand still visible. It is a small work in scale but not in presence.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, displayed with a thin wood frame that allows both the front and the back of the artwork to be seen — an invitation to understand the work from all sides.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 28 × 22 cm (11 × 8.5\")\u003cbr\u003e\u003cstrong\u003eFraming:\u003c\/strong\u003e Thin wood frame; front and reverse both displayed\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibited: \u003c\/strong\u003eFederation of Canadian Artists Gallery, 2023 On the Edge Exhibition\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":41986819948607,"sku":null,"price":3500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/Working.jpg?v=1756406648"},{"product_id":"original-wood-assemblage-tattered-treaty","title":"Original Wood Assemblage - 'Tattered Treaty'","description":"\u003cp\u003eLaird Campbell is a Vancouver Island–based artist whose work emerges from a deep engagement with the materials and histories of coastal British Columbia. Building abstract compositions from reclaimed and found wood, he works intuitively — piecing, fitting, and assembling until the work finds its own logic. His practice is rooted in a conviction that art can hold both the visible and the invisible: the retinal and the cerebral, the personal and the collective, the made and the found.\u003c\/p\u003e\n\u003cp\u003eA treaty is a document of agreement — and of rupture. \u003cem\u003e'Tattered Treaty'\u003c\/em\u003e takes its title from the condition of so many agreements made between Indigenous peoples and colonial governments on this coast: frayed at the edges, worn by time, honoured imperfectly if at all. The work does not illustrate this history so much as it holds it — in the weathered surfaces of the wood, in the way the pieces fit together and also don’t quite fit, in the tension between order and unravelling that runs through the whole composition. It is a work that asks something of the viewer, and does not let go easily.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, displayed with a thin wood frame that allows both the front and the back of the artwork to be seen — the reverse as much a part of the work as the face.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 68 × 36 cm (27 × 14.25\")\u003cbr\u003e\u003cstrong\u003eFraming:\u003c\/strong\u003e Thin wood frame; front and reverse both displayed\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibited: \u003c\/strong\u003eFederation of Canadian Artists Gallery - 2022 Abstracted Exhibition\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":41986825420863,"sku":null,"price":3500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/WoodAssemblage_TatteredTreaty.png?v=1756511518"},{"product_id":"original-wood-assemblage-gulf-island-triptych","title":"Original Wood Assemblage - 'Gulf Island Triptych'","description":"\u003cp\u003eLaird Campbell is a Vancouver Island–based artist whose practice is rooted in the landscape and living history of coastal British Columbia. Working with reclaimed and found wood, he builds abstract compositions that are as much about time and place as they are about form — each piece shaped by the character of its materials and the geography that surrounds his studio. Campbell aspires, in his own words, \"to work as easily with wood as though it were a pencil, so I can scribble and doodle until there’s something worth strengthening and polishing.\"\u003c\/p\u003e\n\u003cp\u003eThe Gulf Islands — that scattered archipelago of forested rock and salt water between Vancouver Island and the mainland — have long held a particular pull for artists and wanderers. In \u003cem\u003e'Gulf Island Triptych'\u003c\/em\u003e, Campbell distills that landscape into three connected panels: the horizontal sweep of the composition echoing the low, elongated silhouette of islands seen from the water, the varied textures of the wood suggesting rock face, driftwood, and the layered strata of the coast. It is a work that asks you to slow down and look, the way the islands themselves do.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of numerous reclaimed wood pieces, each chosen for its grain, age, and surface quality. 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His practice is one of sustained attention — to the material, to the process, to the slow accumulation of meaning that happens when you work with your hands over time. He is drawn to aged wood for what it carries: the marks of use, the memory of other lives, the way time writes itself into grain and surface.\u003c\/p\u003e\n\u003cp\u003eThe mask is one of the oldest forms in human art — a face that is and isn’t a face, a presence that conceals as much as it reveals. \u003cem\u003e'Mask II'\u003c\/em\u003e sits in that tradition without illustrating it: the geometry of the wood pieces suggests a face, or the idea of a face, without resolving into one. It is a work that holds its ambiguity deliberately, that asks the viewer to bring something of themselves to the looking. The title’s “II” hints at a series, at an ongoing inquiry into what a face can be when made from fragments of wood rather than flesh.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, displayed with a thin wood frame. 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His practice is rooted in a sustained engagement with materials and ideas — with the way aged wood holds time, with the geometry that emerges when fragments are placed in relation to one another, and with the deeper questions about how meaning is made and transmitted between people.\u003c\/p\u003e\n\u003cp\u003ePedagogy is the art of teaching — the practice of bringing knowledge from one mind into another, of finding the right form for an idea so that it can be received. \u003cem\u003e'Conversation (Pedagogy)'\u003c\/em\u003e holds that dynamic: two presences in dialogue, the space between them charged with the effort of understanding. The wood pieces are arranged not as a single unified form but as a field of relation, each element in conversation with the others. It is a work about the difficulty and the necessity of being understood.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces. 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His practice is rooted in a deep engagement with materials — with the way aged wood holds time, with the geometry that emerges when fragments are placed in relation to one another, with the tension between accident and intention that runs through every piece he makes.\u003c\/p\u003e\n\u003cp\u003eThe title nods to the restless energy of transit — of things in motion, of journeys taken and not quite completed. But \u003cem\u003e'Trainspotting'\u003c\/em\u003e is also a quiet work: small in scale, dense in presence, the kind of piece that rewards close looking. The wood pieces fit together with a compressed intensity, as though the whole composition is holding its breath. There is something cinematic about it — a single frame from a longer story, caught mid-movement.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces. 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His practice is rooted in a sustained engagement with materials — with the way aged wood holds time, with the geometry that emerges when fragments are placed in relation to one another, with the tension between accident and intention that runs through every piece he makes.\u003c\/p\u003e\n\u003cp\u003eA bridge is a structure of connection — a way of getting from one place to another across a gap that would otherwise be uncrossable. \u003cem\u003e'Bridge'\u003c\/em\u003e holds that quality in miniature: a small, concentrated composition that feels like a crossing, like something spanning. The close-up photography reveals the extraordinary grain and texture of the wood, the way each piece carries its own history while contributing to a shared structure. The reverse is also displayed, making the work legible from both sides — a bridge, after all, can be crossed in either direction.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces. 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Working from his studio \u003cmeta charset=\"utf-8\"\u003ein the \u003cmeta charset=\"utf-8\"\u003eCowichan Valley on the east coast of Vancouver Island, Campbell approaches each piece intuitively — piecing, fitting, and assembling fragments of wood the way a writer might scribble and revise, allowing form and meaning to emerge through the process itself. His work is deeply rooted in the landscape and Indigenous artistic traditions of the Pacific Northwest, seeking, in his own words, \"to conjure something retinal and cerebral to appear alongside the spiritual representation that is the art indigenous to this area.\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Stochastic Process'\u003c\/em\u003e takes its name from the mathematical concept of structured randomness — the idea that meaningful patterns can arise from chance. In this diptych, Campbell surrenders to the unpredictability of his materials, letting the grain, texture, and geometry of each wood fragment guide the composition rather than imposing a predetermined design. The result is a work that rewards sustained looking: the longer you sit with it, the more order — and mystery — reveals itself.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: an abstract composition built by hand from numerous pieces of reclaimed and found wood, each selected for its character, age, and surface quality. The two panels are individually framed and designed to be exhibited together as a unified diptych, their dialogue across the gap between them as much a part of the work as the panels themselves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Diptych — two individually framed panels, sold and exhibited as one work\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Panel 1: 17.5 × 14\"  |  Panel 2: 18 × 14.5\"\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibited:\u003c\/strong\u003e \u003cstrong\u003e\u003c\/strong\u003eFederation of Canadian Artists Gallery, 2025 On the Edge Exhibition\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":41995834228799,"sku":null,"price":12000.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/Pages1_2-ExcerciseinStochasticProcess.png?v=1756750014"},{"product_id":"original-wood-assemblage-cabin-no-1","title":"Original Wood Assemblage - 'Cabin No.1'","description":"\u003cp\u003eLaird Campbell is a Vancouver Island-based artist whose practice centres on the transformation of reclaimed and found wood into abstract compositions. Working from his studio in coastal British Columbia, he builds each piece by hand — selecting, fitting, and assembling fragments of wood the way a writer assembles words, intuitively and patiently, until the work finds its own shape.\u003c\/p\u003e\n\u003cp\u003eA cabin is a particular kind of shelter — modest, purposeful, close to the land. \u003cem\u003e'Cabin No. 1'\u003c\/em\u003e carries that quality: there is something spare and essential about the composition, a sense of structure reduced to its most necessary elements. The “No. 1” suggests a series, a first attempt, a beginning — and with it, the particular energy of something being worked out for the first time. This is a piece with a long history: exhibited in Campbell’s 2015 solo exhibition at the Cowichan Performing Arts Theatre, it represents an early and important moment in the development of his assemblage practice.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, each selected for its grain, age, and surface quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 9.5 × 9.35\"\u003cbr\u003e\u003cstrong\u003eExhibition:\u003c\/strong\u003e Cowichan Performing Arts Theatre, 2015 Solo Exhibition\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":43196524101695,"sku":null,"price":800.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/CabinNo.1.png?v=1777505530"},{"product_id":"original-wood-assemblage-shaman","title":"Original Wood Assemblage - 'Shaman'","description":"\u003cp\u003eLaird Campbell works from his studio in the Cowichan Valley on the east coast of Vancouver Island, building abstract compositions from reclaimed and found wood. Campbell seeks, in his own words, “to conjure something retinal and cerebral to appear alongside the spiritual representation that is the art indigenous to this area.”\u003c\/p\u003e\n\u003cp\u003eThe shaman is a figure who moves between worlds — between the visible and the invisible, the living and the ancestral, the everyday and the sacred. \u003cem\u003e'Shaman'\u003c\/em\u003e holds that quality of threshold: a small, square composition that feels larger than its dimensions suggest, dense with presence. The wood pieces fit together with a kind of ritual precision, as though each one has been placed with intention. This is a work that asks to be sat with, not just looked at.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, each selected for its grain, age, and surface quality. 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The two works were made together and exhibited together at the Cowichan Performing Arts Theatre in 2015, and they are best understood in relation to each other: two approaches to the same question, two ways of standing at the edge of the visible world. Collected together, they form a diptych of sorts; collected separately, each carries the full weight of the inquiry on its own.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of reclaimed wood pieces, each selected for its grain, age, and surface quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 7.25 × 7.25\"\u003cbr\u003e\u003cstrong\u003eExhibition:\u003c\/strong\u003e Cowichan Performing Arts Theatre, 2015 Solo Exhibition\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":43196541534271,"sku":null,"price":800.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/ShamanTwo.png?v=1777505918"},{"product_id":"original-wood-assemblage-yellow-bird","title":"Original Wood Assemblage - 'Yellow Bird'","description":"\u003cp\u003eLaird Campbell works from a studio in the Cowichan Valley on the east coast of Vancouver Island, where the natural world — its light, its textures, its quiet insistence — is never far from the work. His practice centres on the transformation of found and aged wood into abstract compositions that are built by hand, piece by piece, the way a poem is built word by word: intuitively, patiently, with an ear for what the material wants to say. Campbell is challenged and inspired by aged wood, aspiring to work with it as freely as a pencil — scribbling and doodling until something worth keeping emerges.\u003c\/p\u003e\n\u003cp\u003eThere is something irresistible about a yellow bird — a flash of colour against the muted palette of the coast, a note of brightness in the grey-green world of the Pacific Northwest. \u003cem\u003e'Yellow Bird'\u003c\/em\u003e holds that quality: a composition that feels at once grounded and light, weighted by the density of its materials yet lifted by something harder to name. The title invites you to look for the bird, and in looking, you find it — or something like it — in the geometry of the wood, the warmth of the grain, the way the pieces fit together like a small, perfect thing.\u003c\/p\u003e\n\u003cp\u003eThis original work is a Wood Assemblage: a hand-built composition of numerous reclaimed wood pieces, each selected for its grain, age, and surface quality, set within a beautifully crafted frame that is itself part of the work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Original Wood Assemblage (reclaimed and found wood)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 18 × 14\" (45 × 35 cm)\u003cbr\u003e\u003cstrong\u003eFraming:\u003c\/strong\u003e Inset in a 1\/4\" thick wood frame, 1\" deep\u003cbr\u003e\u003cstrong\u003eAuthenticity:\u003c\/strong\u003e One-of-a-kind original; signed by the artist\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExhibited:\u003c\/strong\u003e Sooke Fine Arts Exhibition, 2022; Federation of Canadian Artists Gallery, 2024 Beautiful BC Artist Spotlight, Presented by the Nature Trust of BC\u003c\/p\u003e","brand":"Laird Campbell Studio","offers":[{"title":"Default Title","offer_id":43200622231615,"sku":null,"price":4500.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0622\/1322\/6559\/files\/YellowBird.png?v=1777565276"},{"product_id":"original-wood-assemblage-she","title":"Original Wood Assemblage - 'She'","description":"\u003cp\u003eLaird Campbell works from his studio in the \u003cmeta charset=\"utf-8\"\u003eCowichan Valley on the east coast of Vancouver Island, building abstract compositions from reclaimed and found wood — piece by piece, intuitively, the way a conversation finds its shape. His practice is rooted in a belief that materials carry meaning: that aged wood holds time, that the grain of a plank can speak if you know how to listen. He aspires to work with wood as freely as a pencil, scribbling and doodling until something worth keeping emerges.\u003c\/p\u003e\n\u003cp\u003eThere is something quietly powerful about a work called \u003cem\u003e'She'\u003c\/em\u003e — a title that refuses to explain itself, that simply points and lets the viewer complete the thought. The composition holds that same quality: present, self-possessed, not asking for anything. The wood pieces fit together with a kind of inevitability, as though they were always meant to be here, in this arrangement, in this frame. 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Campbell seeks, in his own words, “to conjure something retinal and cerebral to appear alongside the spiritual representation that is the art indigenous to this area.”\u003c\/p\u003e\n\u003cp\u003eTotems rise. They mark a place, tell a story, hold a lineage. \u003cem\u003e'Totems'\u003c\/em\u003e takes that vertical energy and translates it into the language of the wood assemblage: the composition stacks and layers, the pieces rising within the frame, the whole thing carrying a sense of accumulated meaning. 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